Tag Archives: silk fabric

Art Nouveau Rococo

A while ago I blogged about a silk piece based on a tissue paper design I made for use with organza. Because the design features stylized curves I thought the design had an art nouveau flavor, but the flamboyance of the finished work led me to call it Rococo.

I had the quilting done by Janice Kiser, a local longarm quilter who has an affinity for curves. Here are details of her quilting.

The batting is wool, which gives a 3D effect to the petals. Rococo finished at 30 by 35 inches, and has a faced edge.

I’m surprised at the amount of silk fabric I still have, so I need to design more projects for it. While I love its sheen, I find it a bit finicky and in need of backing before sewing with it.

Linked this post to http://ninamariesayre.blogspot.com/2018/09/finding-inspiration-off-wall-friday.html.

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Filed under Art quilts, Completed Projects

Getting My Curve On

So far this year my work has been squared off and rectilinear. I’m breaking with that in my latest WIP, which is all about curves.

I was inspired by a sketch left over from my 2016 master class and my hoard of silk fabrics.

I had developed several sketches using cut shapes of tissue paper.

Someday had arrived for the dupioni, sari and kimono silks, the broadcloths, and the silk-cotton combo fabrics I’ve collected. Because the silks were different weights, I stabilized them with either fusible nylon knit tricot or WonderUnder. The differing material characteristics (some were closely woven, some ravelled or shredded, etc.) led me to use raw edge applique instead of piecing. I used MistyFuse for any pieces not backed with WonderUnder.

There were translation issues between my sketch and the work. The sketch was designed for transparent fabrics, and was another take on overlapped pieces of silk organza, a technique I used in Unfolding.

Unfolding 25″ sq.

I didn’t have the color changes created by the fabric overlaps, so I had to come up with an opaque approach. Here’s my first version.

The “hat” had to go. It looked lovely with transparent layers, but not as a solid piece. I ended up with huge blooms that would fit into a jungle. All the sinuous curves give it an Art Nouveau feel, like the embroidered fabric below.

After I ironed down the pieces I straight stitched around all the edges. I tried out a buttonhole and a zigzag stitch, but found they frayed the edges and caused raveling. There is still a bit of fraying, but I’ll have to live with it.

I plan to have Rococo (tentative title) quilted by a local long arm quilter who is very good with curved designs. For once, I think it’s the right approach to accentuate the curves. It should finish about 36 by 30 inches.

 

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Filed under In Process

All My Pretties: Confessions of a Silk Hoarder

My silk collection began with a bolt of inherited peach silk crepe that resided in a steamer trunk for many years. Then, as I attended big quilt shows I began buying bits of silk dupioni. Here’s what’s left of a 25 piece collection.

DupianiDupioni colors are wonderful, but the fabric just loves to shred. It needs to be backed with fusible knit interfacing or cut on the bias.

I continued to seek out silk yardage at various shops and shows. The left hand piece is shot silk and the right hand one is organically dyed silk from Laos (bought in Canada.)

Shot silkLaotian silk

But why stop at yardage? I didn’t and started buying second hand designer silk scarves. These will need to be backed with fusible interfacing before I use them.

Bill Blass scarfNorrell scarf

Once I began dyeing fabric I decided to dye that bolt of silk crepe, even though you’re not supposed to use Procion MX dyes on silk. I went with what I had. First, I used a bubblegum pink dye to intensify the pinkness. Another time a few yards were treated to ice dyeing. It does seem I have a lot of pink and purple silk.

Dyed silk crepeIce dyed silk

And once people learn of your interest in silk they donate to the cause. Here are sari silks and a silk batik from a friend.

Green sari silkNavy pink sari silk Batik silk

My latest silk purchases have been a silk/cotton mix fabric called Radiance which I hope to use with some of the silks above.

Radiance fabricI also have cut up silk ties. Here’s how I used some of the tie fabric.

Tie sticksNote I haven’t included silk organza, another aspect of my fascination with silk.  I’m afraid there’s still more, but I can handle just so much confession at one time.

 

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Filed under dyeing, In Process

No Slicing and Dicing

In a rare burst of financial frivolity I actually purchased a quilting book without having examined it first.  Usually I borrow a book from a library or friend so I can see if I want to buy it for my collection.  However, I couldn’t find any library that owned a book I was curious about, so I took the plunge.

Oh, the book is called “Sliver Quilts” by Lisa O’Neill, and I was intrigued by a particular pattern in it called Helios.  It’s a circular pattern that looks paper pieced, but it isn’t.  Instead, the author cut an arc of fabric, folded it at regular intervals, inserted slivers of other fabric in the folds, and then sewed along the fold to encase part of the sliver. If you sew four of these together you get a circle.  Here’s a picture of the pattern that caught my eye.

However, that’s not the pattern I started with.  Instead a table runner made with silk caught my eye.  Why?  Well, I’ve been collecting silk fabric for years with the idea I’ll make my magnum opus with it.  However, such a project keeps getting bumped down my to do list, and I really want to use that silk for something other than a drape for my coffin.

So, I hurriedly read the book’s basic instructions and then pulled out my silks.  Of course, I deviated from the instructions right away.  Lisa rightly comments on how silk frays and then says her pattern calls for oversized blocks so you can cut off the frayed edges after all the slivers are inserted.  However, since I had already backed part of my silk fabric with fusible interfacing, I went ahead and did the rest.  The advantage is it really cuts down (haha) on fraying; the disadvantage is it increases bulk as you fold and sew.  Pick your poison.  Here are just a few of my slivers, all ready for insertion.

slivers

The bulk was manageable except for the mystery synthetic teal fabric I used. I had interfaced that because it kept slithering, but the new interfacing I tried really wasn’t suitable.  Of course, that didn’t stop me from using it anyway.  So, now that I’ve sewn all my blocks my next step will be to take a hammer to the bulky areas and beat them into a semblance of flatness.  Here are some of my blocks after inserting the first two slivers.

first-round-blocks

And here are some of the finished blocks, plus the book itself.

book-and-blocks

I’ve been auditioning fabric for the posts between the blocks and was intrigued when my husband opined that he thought one possible choice clashed with the blocks in a good way.  That’s quite a sophisticated critique from a man who likes florals.

Some other possibilities running around my head include the use of sari silk yarn to sew horizontally and vertically on the posts.

But, back to the book.  Lisa has some other interesting patterns that create spokes (more circles), and suggests ways to experiment with the basic technique.  Her book is clearly written and well illustrated, and includes sufficient details to get you through each pattern to completion.  The major downside to the sliver technique is that I don’t think it will be easy to quilt the slivered areas due to fabric bulk.  Of course, if your quilt also includes lots of borders, posts, and flat areas you’ll have lots of scope for quilting designs.

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Filed under Books, In Process