Category Archives: In Process

I Crave Color

Winter finally got around to northeast Ohio and has been busy dumping lots of snow and wildly gyrating temperatures on us Buckeyes. One day it’s 40 degrees; the next it’s 10 degrees. My nonessential activities shrink in such weather, so I devote myself to adding color to bits of fabric.

So far I’ve used Marabu fashion spray paints and Jacquard textile paints, but hope to take on Dye-na-flow paints and a gelli plate as well. My base fabrics, none larger than a fat quarter, were previous failures and some vintage linens. With the exception of one stamp, I used stencils to create my designs this go-round. Most of my stencils are from Stencil Girl, which offers a large selection of all sorts and sizes. (No paid promotion, just my opinion.)

Large leaf stencil applied with Jacquard and spray paint on top of painted dye failure.

Marabu spray paint over thermofaxed linen

Marabu spray paint on stencil over dye print

Vintage linen stamped with sprayed on paint
Two colors of Jacquard paint through stencil over thermofaxed damask
Spray paint through lace curtain and stencil over commercial fabric

Spray paint and Jacquard paint through stencil over silk

As you can see, some of my experiments have splotches. Spray paint is hard to control and can drip. I’m not showing other attempts that either were good for nothing but the trash or need more layers. Now I need to figure out how to use my creations. Of course, I could always have them printed out and make yardage from them.

Linking to Nina Marie’s Off the Wall Friday.

19 Comments

Filed under Fabric Printing, In Process

If The Shoe Fits

For a few months in 2018 I photographed shoes on people’s feet at rest and in motion. Why shoes? One of my volunteer jobs requires me to spend time in a theater lobby, and sometimes I have nothing immediate to do. I began to observe the groups in the lobby and became interested in what they did with their feet. I used my phone to take photos and a series was born.

Theater lobby

I also took photos of people waiting in lines at an art exhibit and generally hanging around. Since I had so many shoe photos I stopped, and concentrated on digitally reworking some of the photos, using what skills I remembered from my PhotoShop Elements class.

After a deep dive into PhotoShop’s effects and filters and a frustrating time sizing the edited photos for printing, I had a bunch printed off by Spoonflower in an eight by eight inch format. I used a bulk test print format Spoonflower offers. The results were a bit mixed. I should have standardized my photos more. But I had enough to combine into a quilt.

Pointilized sneakers before resizing

The next step was to devise a layout with the 8 inch squares. I sure wasn’t going to cut them up. After several days and reworkings I settled on one. Then, in a moment of genius or severe derangement, I decided to do the squares as three separate panels held together with laced up grommet tape.

Through Etsy I found Lace and Trims, which provided a reasonably priced product and speedy shipping. While I waited I quilted my panels in a simple diagonal pattern. Then, I sewed strips of the grommet tape to the panel sides and bottoms. It was tricky to avoid the grommets, yet sew on the tape. Looking back, I should have paid more attention to the width of the tape and the spacing of the grommets.

After the tape was on, I sewed a hanging sleeve across the tops of the panels (the only point at which the panels are sewn to each other) and turned under that edge. I will hand sew the sleeve’s bottom edge, along with bits I couldn’t machine sew because of the grommets. One broken sewing machine needle was enough.

Now I’m lacing up the grommet tape with various cordings and need to decide whether to try a single color or a mix. Right now I lean toward red cord for the contrast.

Black cord on left, silver in middle, red on right

I never realized there are so many ways to lace shoes. Check out some of the possibilities here.

I’m linking to Off The Wall Friday.

19 Comments

Filed under In Process, Techniques

Many Thanks

I was surprised and pleased to get so many responses to my plea for advice on “Deep Purple.” Your comments and opinions helped me clarify a way forward. I’m so appreciative of your input.

First, given the poor quality of my photos, you did heroic work figuring out what was going on. Second, I came away with new directions for the piece.

Here’s my post-post rearrangement. Note that I’ve spread around the dark purple to balance the composition. I cut off some of the dark purple bands and used the cut off material to swing the purple around the outside. You can see how it would look flipped in the next photo.

And here’s my rethinking of that. Melanie had suggested more diagonal lines in the interior. I spent some time playing with that idea, and decided on diagonal lines that connect the left and right sides across the purple. While I mocked up the arrangement with bias tape, I have thin chartreuse-y ribbon I could couch on after the piece is quilted. I’ve learned it’s a pain to quilt around such embellishments.

I still lean towards the first arrangement without the additional lines as I wonder if the additional design element is a bridge too far.

I suspect that now the backing material I cut is too small, so it’s back to the fabric closet for an alternative. I’m eager to get this one off the design wall so I can pin up the next victim, er, design.

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Filed under Art quilts, In Process

Crunch Time

All my procrastinations are coming due and I am resembling the proverbial headless chicken. I have only myself to blame, of course, as these are self-imposed tasks.

First, a bit of background. I am not a holiday kind of person. While I’m not Scrooge, I do my best to ignore all the craziness of shopping and baking. Instead, I substitute my own kind of craziness which involves completion of various quilting/sewing related tasks.

Some tasks are done. “Flower Power” is quilted and bound.

Flower Power

Flower Power detail

I have sewn hanging sleeves onto seven small quilts so I can now display them. My art quilt group small glitzy scraps piece is done. Actually it’s overdone, which is why I’m calling it “Kitchen Sink Included.” I don’t embroider much, but when I do I leave no surface untouched.

Kitchen Sink Included

I’ve made progress with two reworked quilts, made a top for a baby quilt, and rethought “Deep Purple” a bit, thanks to your comments.

This baby quilt is made of scrap squares with yardage for the edges.

Still awaiting attention is another scrap piece I’m calling “Square Deal.” I want to make it more off-kilter.

I’m thinking of adding more escapees.

And, because I had a box of gauzy, glittery, silky scraps on my sewing table, I started playing around with another glitzy design. Unfortunately, I think it’s going nowhere, but it will be a distraction for a bit.

I’m plugging away at hand work on one of my revised old quilts as I wait for my fabric shipment so I can return to work on “Deep Purple.” I’m also pondering the best way to attach bits of silver lame to another revised quilt.

In a totally unrelated development, Rayna Gillman featured two of my quilts on her blog. She asked readers to send in examples of improv quilts, so I did.

Holiday best wishes to those of you who celebrate Christmas, and happy solstice to everyone.

I’m linking to Off The Wall Friday.

14 Comments

Filed under Art quilts, Completed Projects, In Process

Too Much Purple?

People see red, turn green with envy, are blue, etc., but what emotion is associated with purple? Passion? Overheated prose? Anger? Elegant decadence?

I ended up with a very purple quilt top for a prosaic reason, nothing to do with emotions. The scraps I had, gifted velveteen from a church janitor, and luscious grape fabric I had on hand determined my purple path. I stitched  already pieced scraps from past projects onto old phone book pages. My idea was to do paper piecing light, with far fewer seams sewn through the paper.

The scraps are left from a baby quilt and “Church Windows”

Next, I sewed Marcia Derse’s grape crush solid fabric down around the edges, along with contrasting color handles. It was easier said than done, as sharp angles caused me to misjudge how much fabric to allow.

I also added velveteen edges and tried mixing in different purple fabric. That did not go well.

I abandoned the velveteen edges and tried other corner treatments made of velveteen and silk.

I didn’t like the clunkiness where the corners meet. I also decided to eliminate a row of blocks and add a border. I was bound and determined to use the velveteen. It’s not your eyes; the photo is out of focus.

I’ll spare you all the fiddling I did, but I eventually settled on the following arrangement.

The corners are spread out and work on a border has begun.

I decided to drop the narrow inner border. The color is really a yellow green, which photographs more yellow than it is.

The present state of “Deep Purple.”

Right now it’s quite prickly looking. Maybe I’ll get it quilted this year or maybe I’ll decide to change it and save the quilting for 2019.

I’m linking to Off The Wall Friday.

18 Comments

Filed under In Process, Modern Quilting

Modern Curves

I hereby declare this is drunkards path week. First, I featured the paintings of Luiz Zerbini. Now, I want to show you two small quilts, let’s call them quiltlets, I’ve been working on. They use the modern drunkards path block.

What makes this block modern? As the photo below shows, the larger, traditional orange and yellow blocks have at least a half inch between the outer edge and the pie piece, while in the smaller modern blocks the distance between the pie  and the curved piece is just 1/4 inch. When the modern blocks are sewn together, the pies touch each other. At least that’s the theory.

Inspired by the work of Jenny Haynes, I created a flower pillow and a small quilt using the templates I had copied from the back of Angela Pingel’s “A Quilter’s Mixology.”

The 15.5 inch pillow cover is made up of 3.5 inch blocks and is quilted with my sewing machine’s serpentine stitch.

The 20.5 by 24.5 inch quiltlet reverses the light and dark colors from the pillow cover.

The stem is a strip of old curtain material I plucked from the theater costume shop’s garbage can.

I’m still working up a quilting design for “Flower Power” but have managed to start two new projects, so I’ve shoved all the boring (to me) finishing chores to the bottom of the heap. I have a month and a half until the close of 2018, plenty of time for all the facings/bindings/quilting/hanging sleeves needed.

I’m linking to Off The Wall Friday.

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Filed under In Process, Modern Quilting

Getting From Concrete To Abstract

Many art quilters seem to struggle with creation of abstract work, whether from scratch or from a recognizable photo or drawing.  Even if you don’t want a totally nonrepresentational piece, abstracting can help simplify and strengthen your design.

To work on my abstracting skills I signed up for Lyric Kinard’s Abstract-a-licious online course. To quote Lyric, ” Lessons consist of  concrete design exercises that are clear and easily understood as well as ample encouragement from an award winning teacher. You don’t need to have drawing or design skills as this course is designed to inspire and teach  both the timid beginner and the confident creative.”

The course consists of five play exercises that use pencil, paper, and scissors. There’s no projects involved. So far we’ve done three lessons. The emphasis is on using design principles to develop abstract designs.

First class lesson, unit 1, sketches with line only.
Second lesson, unit 1, adding value to line.
Third class lesson, unit 1, rearranging elements of iron sketch and adding color.
Lesson 2, unit 2, abstract of Degas painting with color added. Lesson 1 was to abstract the painting.
Lesson 1, unit 3, line doodles. I did several.
Lesson 2, unit 3, shaded doodles.
Lesson 3, unit 3, fabric versions of a doodle.
Extra: Fabric doodles with organza overlays.

Once I complete the remaining units I’ll let you know how it all went.

I’m linking this post to Off The Wall Fridays.

13 Comments

Filed under In Process, Techniques