Category Archives: Art quilts

2018 – It Seems We Just Got Started

In five more days 2018 will be no more. It’s time for me to reckon with what I’ve done, and what I will move forward to 2019.

Rather than tally up the number of quilts I’ve made I want to review goals I had set myself, and talk about the directions my work has taken.

Here’s what I said I hoped to accomplish in 2018:

For 2018 I want to work more with photographs, and will be taking an online course in using Photoshop Elements.

I did indeed take the first two units of the Pixeladies’ Photoshop online course, and learned tons. Alas, I’ve forgotten much of it already, but have found it so worthwhile in editing photos of my work and prepping photos for printing on fabric. I hope to complete a quilt in 2019, made with photos I took.

I also took Kyric Kinard’s Abstract-a-licious online course and came away with a few possible quilt designs. I took no in-person classes this year, probably because nothing offered locally or regionally appealed.

In surface design, I want to play with gelli plate monoprinting and cyanotype printing.

The monoprinting never happened, though the cyanotype printing did, using inherited crocheted bits. I played around with spray paint to make prints of placemats on pattern eze, and experimented with making spray paint from Derwent Inktense blocks.

I plan to spend more time looking at art in general, rather than confine myself to quilted art. … My local art museum offered a year’s free membership, which I signed up for, so maybe trips there will spark ideas.

I ended up buying membership in my local museum and enjoyed two intense trips there with family and friends. I took in the Yayoi Kusama immersive exhibit at the Cleveland Museum of Art.

I need to find new homes for my work.

A cousin was happy to take many of my quilts off my hands. She’ll distribute them to interested family members. It turned out she likes modern quilting. Who knew?

I’d like to exhibit more in non-quilt show venues. … I have to decide if I want to take on the organization of an exhibit for area art quilters, or even if there’s interest in such exhibits.

I was thrilled to have my work accepted in an all media local art show, and even more thrilled to win first place. I had less success with other juried shows I entered, but did have pieces juried into the Pennsylvania National Quilt Extravaganza and the Pacific International Quilt Festival.

I learned that a local art organization is interested in putting on an art quilt exhibit, but it’s still just a twinkle in the director’s eye. I have my fingers crossed.

Rather make this post even longer, I’ll postpone discussion of what I made and the directions I took in my work to a future post a few days from now.

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Crunch Time

All my procrastinations are coming due and I am resembling the proverbial headless chicken. I have only myself to blame, of course, as these are self-imposed tasks.

First, a bit of background. I am not a holiday kind of person. While I’m not Scrooge, I do my best to ignore all the craziness of shopping and baking. Instead, I substitute my own kind of craziness which involves completion of various quilting/sewing related tasks.

Some tasks are done. “Flower Power” is quilted and bound.

Flower Power

Flower Power detail

I have sewn hanging sleeves onto seven small quilts so I can now display them. My art quilt group small glitzy scraps piece is done. Actually it’s overdone, which is why I’m calling it “Kitchen Sink Included.” I don’t embroider much, but when I do I leave no surface untouched.

Kitchen Sink Included

I’ve made progress with two reworked quilts, made a top for a baby quilt, and rethought “Deep Purple” a bit, thanks to your comments.

This baby quilt is made of scrap squares with yardage for the edges.

Still awaiting attention is another scrap piece I’m calling “Square Deal.” I want to make it more off-kilter.

I’m thinking of adding more escapees.

And, because I had a box of gauzy, glittery, silky scraps on my sewing table, I started playing around with another glitzy design. Unfortunately, I think it’s going nowhere, but it will be a distraction for a bit.

I’m plugging away at hand work on one of my revised old quilts as I wait for my fabric shipment so I can return to work on “Deep Purple.” I’m also pondering the best way to attach bits of silver lame to another revised quilt.

In a totally unrelated development, Rayna Gillman featured two of my quilts on her blog. She asked readers to send in examples of improv quilts, so I did.

Holiday best wishes to those of you who celebrate Christmas, and happy solstice to everyone.

I’m linking to Off The Wall Friday.

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Cornering My Scraps

As I have noted before, I have a thriving scrap fabric collection. Some are even already sewn together. I like to pet these pre-made quilt beginnings in hopes of inspiration. Some time in October I decided to sew a group of hectically colored scraps together.

I sliced lengths of multi fabric strips in half and inserted narrow strings. I added to and lopped off bits to even up my rounds. Eventually I came up with the following.

Beginning of “Turning The Corner”

I liked the effect but wanted to give more weight to the left side and bottom. So, I added wider lengths of Marcia Derse fabric and more angled strips.

I finally quilted the top at the beginning of November. I used 30 weight variegated cotton thread, and extended some of the strips into the Marcia Derse fabric with quilting lines.

detail

I find the colors cheerful as I catch drifting snowflakes out of the corner of my eye. If I can’t go to the heat, I’ll try to bring the heat to me.

I’m linking this to Off The Wall Friday.




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Icing On The Cake

Last Friday night my husband and I attended the opening reception for a landscape art show called Against The Sky because my “Sunset On Main” was juried into the show. I was glad my piece overcame the attitude that a quilt can’t be art, though my piece was indeed the only fiber art in the show.

After I checked out all the other work in the show and had some lively conversations about my work, the show awards were announced by the show’s juror. He began with the honorable mentions, which I thought maybe I had a shot at. No joy there. Then third and second place works were announced and I thought it was enough to get into the show.

My jaw hit the floor when the juror awarded first place to “Sunset On Main.”  There was some talk about how a craft can become art, but I was too stupified to take in all the speech.

Here are the few photos I took at the show. The crowd didn’t seem to be taking pictures, so I snuck in just a bit of smart phone photography.

As you can see, there was lots of photography in the show; I’d say about half of the 69 works.

And what do I get as first place winner? – a certificate and a little sticker by my work. It’s a start.

Linking to Off The Wall Friday.

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Art Nouveau Rococo

A while ago I blogged about a silk piece based on a tissue paper design I made for use with organza. Because the design features stylized curves I thought the design had an art nouveau flavor, but the flamboyance of the finished work led me to call it Rococo.

I had the quilting done by Janice Kiser, a local longarm quilter who has an affinity for curves. Here are details of her quilting.

The batting is wool, which gives a 3D effect to the petals. Rococo finished at 30 by 35 inches, and has a faced edge.

I’m surprised at the amount of silk fabric I still have, so I need to design more projects for it. While I love its sheen, I find it a bit finicky and in need of backing before sewing with it.

Linked this post to http://ninamariesayre.blogspot.com/2018/09/finding-inspiration-off-wall-friday.html.

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Facing All Decked Out

After I finished quilting “All Decked Out” I decided to try another way to sew on an edge facing. Most methods leave you with lumpy corners. However, Jean Wells gives a way to face your quilt in her book, “Journey to Inspired Art Quilting,” that keeps extra fabric out of the corners.

You sew together the ends of 2 to 3 inch strips to form a frame that you sew onto the edges of your quilt. The tricky part is getting the frame to match the dimensions exactly.

After you sew around the edges you turn back 1/4 inch on the loose part of the frame. To make this easier, you leave 1/4 inch unsewn on the strip joining seams. You then turn the facing, press the edge a lot, and hand sew the facing down.

As the picture above shows, I did a lot of quilting, which doesn’t show that much on the front.

For those of you who don’t remember this quilt, it’s one of two I created from squares of surface design experiments. The center is an embroidered paint stick rubbing of a glass salad plate. The salmon colored squares are sun prints from crocheted doilies. The blue with white swoops and dots I made in by screen printing with thickened dye. The multi-color sort of pink-purple squares are fabric created from scraps, cheesecloth, and stencil prints. The solid pinkish squares are hand dyed fabrics. The border is made from a Spoonflower printed photo of my deck, run through a filter and done as a mirror image. I did throw in some Marcia Derse fabric in four squares.

I quilted it with variegated 40 weight cotton thread, sort of following the curves of the swoops.

This post is linked to Off The Wall Friday.

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The Nancy Crow Experience

Many art quilters make a pilgrimage to the Crow barn outside Reynoldsburg, Ohio, to study with Nancy Crow for a week or two. Work by Crow and some of her students, as featured in an exhibit called Color Improvisations 2 that’s now touring, will give you an idea of Crow’s style.  I’ve not had the nerve, or cash, for the experience, but I think Julie Fei-Fan Balzer’s blog posts give me a good idea of what’s involved.

Julie is a whirling dervish of a multi-media artist. She paints, does art journaling, hosts the “Make It Artsy” show on PBS Create TV, designs stencils, shows how to make your own stamps, blogs copiously about her work and her trips, and has taken up quilting. She leans toward the modern style, no surprise.

Julie has graciously given me permission to reblog her two posts about her experiences. Please check out all her posts at Balzer Designs. Her week one post is below. You can also check out her five lessons from the Crow Barn here, and her “rear view mirror” view in her podcast. (It’s at the beginning.)

Now I’ll turn this over to Julie.

June 04, 2018

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