Category Archives: Art quilts

The Old Becomes New

I have continued to revisit old work that I wasn’t satisfied with, and revised two pieces, “Z Is For Zoom” and “7 Years of Bad Luck.”

Z was just too plain before, so I painted broad white stripes over the already quilted area and then covered the stripes with seed stitching.

Original

Add ons

Seed stitch detail

7 Years needed focus, so first I over-dyed the completed piece and stamped it with white ink. Then I cut off the top edge, added swirls of bias tape, and appliqued jagged chunks of silver lame on to represent the bits of broken mirror. As I was sewing the tape on I realized I was channeling Judy Kirpich. A new facing on the top and reattachment of the hanging sleeve completed the makeover.

Original

Revised

Do I think these pieces are now wonderful? No, but I think they are improved. My initial inspirations have been tempered with layers and more clarity in my intent, I believe. I’ve learned that a piece can take its own sweet time in revealing what it is meant to be.

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Inspiration From Illustrations

I’m not doing artistic endeavors this year, but I can’t help passing along goodies that appeal to me. Case in point, magazine covers by Ryo Takemasa. Here are covers he did for NON Magazine that I thought could translate well into fabric.

Each of these illustrations would take just the right fabric – bought or painted/printed to bring the image to life. The trees above the waterfalls could be done by printing with a cut out sponge. I’m not advocating breaking copyright laws by using these images, but such simplified images could be an interesting way to create quilted landscapes.

Takemasa’s website shows yet more examples of his work. I hope his work inspires you to approach design in new ways.

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A Fun Start To The Year

The excuse of a fresh new year spurred me to leapfrog over waiting projects to begin something new and fun. Of course it was conceived in 2018, but it was officially born this week.

I’m talking about my “Disco Woks,” a small (20 by 27 inches) piece made up of almost all non-natural fibers. There’s a bit of Marcia Derse fabric and silk kimono, but the rest is synthetic glitz.

It originated in a play session with slithery, shiny fabrics culled from the theater costume scrap bin and contributions from scrap hoarders (you know who you are.)

I made the woven piece during the play session and then added bits from my hoard to supplement scraps I had scrounged at the session. The woven piece became one bowl, while the Easy Pattern material was paint sprayed over a place mat stencil and cut in half to make two more bowls. I used the coppery tulle to cover one of the bowls, but some of the other materials didn’t fit. The background ombre fabric came from the costume shop.

Construction details – I used leftover curtain lining material to back the whole thing as fabric weights differed, and fused the background fabric on with WonderUnder. I made the bowls by sewing lightweight non-woven fusible interfacing onto the “good” bowl, then turning the whole thing inside out and fusing the interfacing to the bowl with my iron. I zigzagged the completely finished edges to the background. Other bits also were sewn onto the background, though the bowl rims were added after quilting.

As to the name, I had pondered using the Chinese pottery celadon green and cinnebar colors as inspiration, but I ended up succumbing to the glitter. I did pay homage to the orient with the woks.

I’m linking to Off The Wall Friday.

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Many Thanks

I was surprised and pleased to get so many responses to my plea for advice on “Deep Purple.” Your comments and opinions helped me clarify a way forward. I’m so appreciative of your input.

First, given the poor quality of my photos, you did heroic work figuring out what was going on. Second, I came away with new directions for the piece.

Here’s my post-post rearrangement. Note that I’ve spread around the dark purple to balance the composition. I cut off some of the dark purple bands and used the cut off material to swing the purple around the outside. You can see how it would look flipped in the next photo.

And here’s my rethinking of that. Melanie had suggested more diagonal lines in the interior. I spent some time playing with that idea, and decided on diagonal lines that connect the left and right sides across the purple. While I mocked up the arrangement with bias tape, I have thin chartreuse-y ribbon I could couch on after the piece is quilted. I’ve learned it’s a pain to quilt around such embellishments.

I still lean towards the first arrangement without the additional lines as I wonder if the additional design element is a bridge too far.

I suspect that now the backing material I cut is too small, so it’s back to the fabric closet for an alternative. I’m eager to get this one off the design wall so I can pin up the next victim, er, design.

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Filed under Art quilts, In Process

2018 – It Seems We Just Got Started

In five more days 2018 will be no more. It’s time for me to reckon with what I’ve done, and what I will move forward to 2019.

Rather than tally up the number of quilts I’ve made I want to review goals I had set myself, and talk about the directions my work has taken.

Here’s what I said I hoped to accomplish in 2018:

For 2018 I want to work more with photographs, and will be taking an online course in using Photoshop Elements.

I did indeed take the first two units of the Pixeladies’ Photoshop online course, and learned tons. Alas, I’ve forgotten much of it already, but have found it so worthwhile in editing photos of my work and prepping photos for printing on fabric. I hope to complete a quilt in 2019, made with photos I took.

I also took Kyric Kinard’s Abstract-a-licious online course and came away with a few possible quilt designs. I took no in-person classes this year, probably because nothing offered locally or regionally appealed.

In surface design, I want to play with gelli plate monoprinting and cyanotype printing.

The monoprinting never happened, though the cyanotype printing did, using inherited crocheted bits. I played around with spray paint to make prints of placemats on pattern eze, and experimented with making spray paint from Derwent Inktense blocks.

I plan to spend more time looking at art in general, rather than confine myself to quilted art. … My local art museum offered a year’s free membership, which I signed up for, so maybe trips there will spark ideas.

I ended up buying membership in my local museum and enjoyed two intense trips there with family and friends. I took in the Yayoi Kusama immersive exhibit at the Cleveland Museum of Art.

I need to find new homes for my work.

A cousin was happy to take many of my quilts off my hands. She’ll distribute them to interested family members. It turned out she likes modern quilting. Who knew?

I’d like to exhibit more in non-quilt show venues. … I have to decide if I want to take on the organization of an exhibit for area art quilters, or even if there’s interest in such exhibits.

I was thrilled to have my work accepted in an all media local art show, and even more thrilled to win first place. I had less success with other juried shows I entered, but did have pieces juried into the Pennsylvania National Quilt Extravaganza and the Pacific International Quilt Festival.

I learned that a local art organization is interested in putting on an art quilt exhibit, but it’s still just a twinkle in the director’s eye. I have my fingers crossed.

Rather make this post even longer, I’ll postpone discussion of what I made and the directions I took in my work to a future post a few days from now.

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Crunch Time

All my procrastinations are coming due and I am resembling the proverbial headless chicken. I have only myself to blame, of course, as these are self-imposed tasks.

First, a bit of background. I am not a holiday kind of person. While I’m not Scrooge, I do my best to ignore all the craziness of shopping and baking. Instead, I substitute my own kind of craziness which involves completion of various quilting/sewing related tasks.

Some tasks are done. “Flower Power” is quilted and bound.

Flower Power

Flower Power detail

I have sewn hanging sleeves onto seven small quilts so I can now display them. My art quilt group small glitzy scraps piece is done. Actually it’s overdone, which is why I’m calling it “Kitchen Sink Included.” I don’t embroider much, but when I do I leave no surface untouched.

Kitchen Sink Included

I’ve made progress with two reworked quilts, made a top for a baby quilt, and rethought “Deep Purple” a bit, thanks to your comments.

This baby quilt is made of scrap squares with yardage for the edges.

Still awaiting attention is another scrap piece I’m calling “Square Deal.” I want to make it more off-kilter.

I’m thinking of adding more escapees.

And, because I had a box of gauzy, glittery, silky scraps on my sewing table, I started playing around with another glitzy design. Unfortunately, I think it’s going nowhere, but it will be a distraction for a bit.

I’m plugging away at hand work on one of my revised old quilts as I wait for my fabric shipment so I can return to work on “Deep Purple.” I’m also pondering the best way to attach bits of silver lame to another revised quilt.

In a totally unrelated development, Rayna Gillman featured two of my quilts on her blog. She asked readers to send in examples of improv quilts, so I did.

Holiday best wishes to those of you who celebrate Christmas, and happy solstice to everyone.

I’m linking to Off The Wall Friday.

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Cornering My Scraps

As I have noted before, I have a thriving scrap fabric collection. Some are even already sewn together. I like to pet these pre-made quilt beginnings in hopes of inspiration. Some time in October I decided to sew a group of hectically colored scraps together.

I sliced lengths of multi fabric strips in half and inserted narrow strings. I added to and lopped off bits to even up my rounds. Eventually I came up with the following.

Beginning of “Turning The Corner”

I liked the effect but wanted to give more weight to the left side and bottom. So, I added wider lengths of Marcia Derse fabric and more angled strips.

I finally quilted the top at the beginning of November. I used 30 weight variegated cotton thread, and extended some of the strips into the Marcia Derse fabric with quilting lines.

detail

I find the colors cheerful as I catch drifting snowflakes out of the corner of my eye. If I can’t go to the heat, I’ll try to bring the heat to me.

I’m linking this to Off The Wall Friday.




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