This spring I seem to find it difficult to “close” some quilts. I’m trying to be disciplined and finish WIPs before I plunge into new endeavors, but it’s hard to return to pieces that have lost momentum.
My “Mean Streets” is almost completely free motion quilted, but I’m hemming and hawing about final touches.
My girls have received some stitching attention, and are now attached to the already quilted top, along with some waves. I need to settle on a hot air balloon arrangement and sew them down.
“Stripes 3” has tied me up in knots about how to treat the edges. I finally added some squares (after trying many arrangements) and called it done, more out of exhaustion than artistic clarity. I did incorporate suggestions made by my readers. It’s tucked away in a closet awaiting its turn to be quilted. The tag at the top is to remind me of the piece’s dimensions.
I was pleased when a member of one of my art quilt groups said this quilt made her happy. Recently Elizabeth Barton wrote about why people buy the art they do. Her perspective is it’s a work’s content, rather than the technical skills it displays, that attracts a buyer. Technical skills aside, I know “Mean Streets’ will not be at the top of most people’s must have list – too dark.
I can see that my closet is filling up with work to be quilted, a sure sign I need to switch gears. Of course, I still need to decide if all the tops are worth quilting. Some were made to use up partial blocks and fabric experiments. What leads you to just let a top go and not quilt it?