On the way to my Sue Benner workshop my travel companion and I stopped at the Ross Art Museum in Delaware, Ohio, to take in the With These Hands art quilt exhibit. Actually, I made the stop a condition of doing the driving, as I have a piece in the exhibit. I hadn’t realized the quality of the company my quilt was keeping until I got there.
The exhibit was organized in conjunction with the Quilt Surface Design Symposium (QSDS), which is held each June in Columbus, Ohio. The works shown are a good cross section of art quilt approaches and techniques, though a bit light on the Nancy Crow style solids, which are plentiful at this year’s Quilt National exhibit. The Ross Museum exhibit is up until June 30, so if you’re driving I-71 through central Ohio or near Columbus, consider stopping by. I can find no online photos of the whole exhibit.
One approach I saw on several quilts was segmentation, either with separate strips or with panels sewn together after much of the work was done. Here are some examples.
Wen Redmond tied 21 panels together after creating variations of the same photo.
Other quilts emphasized surface design.
Some stood out for their color.
Trance by Kathleen Kastles grabs your eye from the entrance to the exhibit. Those blues and the narrow shape make it dramatic.Lots of little pieces of fabric make up the “rocks” in Beth Porter Johnson’s “Rhythms Within III.” Four Story Walk-up by Linda Strowbridge also uses small bit piecing.
Theresa Rearden used wonky half square triangles set in curves in “Off The Grid.” The detail of the ribbon overlay and the quilting shows below. There are also lots of french knots.Sandra Ciolino’s quilting in “Voluta #6 Solista” is exquisitely controlled.Finally, here’s my The Language of Pink Elephants, punching well above its weight.